Lori Dokken
https://loridokken.com
Over the past four and a half decades, Lori has performed at every major venue in the Twin Cities from The Dakota to The Guthrie to The Ordway. A sought-after accompanist, she is also a successful concert producer, educator, vocal coach, arranger, and vocalist. Currently the Music Director at Unity Minneapolis, she has also been the MD for everything from ensembles at McNally Smith College of Music to acts at the Bryant Lake Bowl and was the Music Director for Disenchanted during its successful run at The Illusion Theatre in November 2014. She has produced headline shows for cruise ships as well as local cabaret acts and has opened for legends like Eartha Kitt, Carole King and Tony Bennett. Lori has sung backups for Kenny Loggins and shared the stage with Beatrice Arthur. Her diverse production credits include sold out shows at The Hopkin’s Center for the Arts, The Dakota Jazz Club, The Chanhassen Dinner Theatre, Crooners Lounge and Supper Club and many local concert venues.
She partnered with The Ordway Center for the Performing Arts in 2016 to produce “Painting Joni” – a concert featuring the music of Joni Mitchell for which she was also the Musical Director, Arranger and one of the featured performers. In 2019 she received a grant from The Knight Foundation which enabled her to present another successful concert event featuring music by the twenty-one of the amazing female vocalists of the 1960s. Titled Women on the Moon, this musical production featured some of the finest female artists of the Twin Cities’ music community, such as: Judi Vinar, Ginger Commodore, Yolande Bruce, Joyann Parker, Rachel Holder, Katie Gearty and Anna Christy.
She was the Entertainment Producer for five years for an HIV/AIDS fund raiser called “Healing of the Hearts” which netted over $500,000 in proceeds for The Aliveness Project and also founded and produced a charity golf tournament for ten years that raised close to $250,000 for One Heartland.
The first half of Lori Dokken’s 40+ year career in the music industry was spent working alone a lot … in cabarets, piano bars and hosting open mics. The second half has focused more on being a player, producer and music director for many sold out, innovative and creative presentations focused on women in the music industry over the past 100 years.